黎明破曉時，溪光是正在淬火的液態(tài)白銀。水花濺起的剎那，某顆水滴突然硬化成唐代水車上的青銅棘輪，螺紋間卡著《茶經(jīng)》里失蹤的末頁殘片。浮萍縫隙滲出的晨霧里，正凝結(jié)著大禹治水時遺失的耒耜木柄紋路，每道凹槽都蓄滿未破譯的甲骨水文。日自最聲了
當(dāng)夜色漫涌，晚霞重新熔鑄成良渚玉琮的八角神徽。那些天際跳動的光斑，原是所有消逝的朝代在黃昏中最后一次稽首。此刻忽然徹悟，所謂告別儀式實是文明的青銅重鑄，每縷霞光都是甲骨灼裂的卜辭在天地鼎彝中重新沸騰。而我們衣袂上沾染的暮色，實則是所有焚毀的歷法仍在校準(zhǔn)日影，將溫柔的告別鍛造成永恒未凝固的青銅饕餮紋，懸于光陰祭壇的流金焰心之上。然大那各綠中應(yīng)
梅子黃時的雨最懂音律。油紙傘骨承不住水珠的重量，讓斷續(xù)的滴答聲滲進行人的木屐。腳步叩擊石板的清響，與瓦當(dāng)垂落的雨簾合奏，驚動了某扇朱漆剝落的門扉。銅鎖眼里的青苔突然瘋長，在鎖孔內(nèi)部結(jié)出玲瓏的八音盒，倒映著民國初年某位小姐繡鞋點地的碎步。文今定最芳理家本
晨霧初起時，整條江流仿佛被抽走了骨骼，柔軟地癱成一張青灰色的生宣。水汽沿著蘆葦桿攀爬，在葉尖結(jié)成水晶瓔珞，墜落的瞬間驚起白鷺，翅尖掃過的弧線恰似神仙遺落的云紋絳帶。經(jīng)時性我事化而作久
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