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第四屆（2025）國(guó)際水墨博覽會(huì)

霧的語(yǔ)法——何微水墨作品展

主辦單位：西湖藝術(shù)博覽會(huì)組委會(huì)

承辦單位：西湖藝術(shù)文化股份有限公司

特別支持：水墨記

策展人：侯昌恒

開幕時(shí)間：2025.04.30 19:30pm

展覽時(shí)間：2025.04.30-05.29

展覽地點(diǎn)：杭州市莫干山路1165號(hào)B1層【藝術(shù)西湖·家】F013展廳

霧的語(yǔ)法——何微水墨作品展 · 前言

霧，是自然最曖昧的修辭，也是水墨最本真的語(yǔ)法。在何微的作品中，霧并非遮蔽，而是一種顯影——山巒在呼吸間隱現(xiàn)，荷塘于氤氳中重組。他以筆鋒為索引，將雨后的混沌解構(gòu)成層次分明的視覺詩(shī)行：留白是未言說(shuō)的主語(yǔ)，墨漬是流動(dòng)的謂語(yǔ)，而觀者的凝視，終將成為這場(chǎng)語(yǔ)法實(shí)驗(yàn)的完成式。

傳統(tǒng)水墨的“氣韻”在此被重新編譯。宣紙如同一個(gè)持續(xù)刷新的界面，記錄著濕度、時(shí)間和偶然性的交互數(shù)據(jù)。當(dāng)山水從"可游可居"的古典理想，轉(zhuǎn)向當(dāng)代性的認(rèn)知迷宮，何微的創(chuàng)作提示我們：最深邃的清晰，往往藏于霧的敘事之中。

——心怡

The Syntax of Mist·Preface to He Wei's Ink Art Exhibition

Mist, nature's most elusive metaphor, is also ink's most authentic syntax. In He Wei's works, fog does not obscure but reveals—mountains emerge and recede with each breath, lotus ponds reassemble themselves within mist-laden air. Using his brush as an index, he deconstructs post-rain chaos into stratified visual verses: negative space becomes the unspoken subject, ink blooms transform into fluid predicates, while the viewer's gaze ultimately completes this grammatical experiment in perfect tense.

Here, the traditional "spiritual resonance" of ink-wash painting is recompiled. Xuan paper functions as a perpetually refreshing interface, recording interactive data of humidity, time, and serendipity. As landscapes shift from the classical ideal of being "traversable and inhabitable" to contemporary cognitive labyrinths, He Wei's creations remind us: the profoundest clarity often resides within mist's narrative.

Xin Yi